I have a small pile of paleoart originals that I will be offering for sale starting December 1st. My patreon supporters get first pick of the art, and then, starting Dec 11th whatever art hasn’t been snapped up by my patreon supporters will be auctioned off on my Brian Engh Paleoart Facebook Page. Also, I will be debuting some new finished illustrations in the coming weeks, along with new videos on my new paleoart youtube channel, so subscribe to that channel and stay tuned on facebook and twitter.
In order to grow the audience and confuse Youtube’s algorithms less I have created a new youtube page specifically for paloeart, natural history and wildlife videos. Basically I just realized I have a TON of footage on my hard drives that I’ve shot of various plants and animals and environments which I frequently reference or draw inspiration from for paleoart and other projects. So I figured I’d put it to use to help communicate the science that went into my various paleoart pieces as well as promote my art etc. Here are the first two videos in what I intend on making a fairly regular thing. I hope you’ll subscribe to the page: http://www.youtube.com/DinosaursReanimated
These videos were made possible by support from my Patreon supporters. You can find my patreon page (stocked with a lot of top secret stuff you can’t see anywhere else) here:
Thanks for the support yall. Let me know what you think.
A long overdue update of my reel featuring some of my more recent projects…
The narrative is from an audio short story that supplements Gather Bones, and is available for download to my patreon supporters.
If you enjoy my work and aren’t already supporting me on patreon, I hope you’ll consider it. For only $1 a month you get access to a raft of behind the scenes content, exclusive downloads and first looks, and I’ll be adding more in the coming months.
Big thanks to those of you who do support my art. Don’t hesitate to let me know what you think about the bonus conent I’ve been posting & if there’s anything else you’d like to see!!
2015 was a busy year. Here’s some of the stuff I finished during our last rotation around the sun…
Sort of as an experiment in minimalism, I made this music video for a track in collaboration with beatmaker BLAQ MASQ
I also recorded several other verses for musical collaborations, such as this one (the others have yet to be released):
I also designed and animated several minutes of animation for a TV documentary about viking mythology. Here’s a short clip of some of my animation. I plan on assembling all of it as a standalone short as soon as I can find the time:
On the front lines of paleoart, I launched the #buildabetterfaketheropod hashtag along with a pile of art poking fun at the dinosaurs/science of some dinosaur movie that came out this year and was sorta big.
Somewhere around that same time I went out to Moab Utah to photograph and explore the Mill Canyon Dinosaur Trackway, which I then created an illustration of for an interpretive sign commissioned by Utah BLM Paleontologist Rebecca Hunt-Foster.
Later that summer I traveled out to Utah again to participate in my first paleontological field expedition, again with ReBecca Hunt-Foster, her husband John Foster, Sharon McMullen, Mikey Schiltz and Matt Wedel to survey a newly discovered secret site, cluttered with mid mesozoic dinosaur fossils and giant petrified trees! That was awesome. But I can’t say more because it’s all still super secret and I’d be beheaded in sacrifice to our great archosaur overlords if I said any more.
I then finished a mixtape of new raps about fighting you with animals in the jungle called JUNGLECAT TECHNIQUE, and a new self produced album called Gather Bones. If you like my music, I hope you’ll consider supporting it on bandcamp.
Also at some point I did this reconstruction of an early Cretaceous angiosperm called Frenelopsis for Nathan Jud’s paper re-describing the taxa:
And I also did a bunch of drawings and concept art for Earth Beasts Awaken part 3, and a pile of sketches as rewards for my Patreon supporters, many of which can be seen in the photo galleries over on the historian facebook page…
And now (like right now) I’m working on another illustrated sign for another Utah BLM dinosaur trackway site commissioned by ReBecca Hunt-Foster. I’m not going to share it right now though, because you have to support me on Patreon to see the behind the scenes stuff that isn’t finished yet, as well as special bonus content videos like this B-reel footage of the Snow Painter creature from Earth Beasts Awaken part 1 that I put together for my new Patreon supporters:
For those of you who have supported my work by buying art, making a donation or just sharing and hyping the hell out of it, thanks for the support!!!
Oh yeah, and I also put a ton of art up on my new Redbubble store, so you can even support my art by rockin’ it in the forms of various interdimensional style armors!!
As some of you know, I’ve been doing paleo art work in addition to finishing albums and developing the next Earth Beasts Awaken videos, and I’m excited to finally announce my most recently finished paleo project: an illustration of the Mill Canyon Dinosaur Trackway commissioned by Utah BLM Paleontologist Rebecca Hunt-Foster for an interperetive trail sign overlooking the dinosaur trackways near Moab Utah. Here it is on site.
The printed sign you see above is pretty big, 30″x36″ (about a square meter), and the tracks drawn in my illustration had to match the view from where the sign was placed. So the finished illustration had to be really really detailed. In addition to that, the trackway preserves a huge number of footprints from an awesome diversity of animals – at least ten different kinds of footprints and other traces are present – and ReBecca wanted me to depict as many of these animals as possible without making the composition seem to unnaturally crowded, as the animals weren’t likely all there at the same time. Oh, and just to make things extra difficult, basically no good skeletal fossils are known from the same strata as the footprints (the Ruby Ranch member of the Cedar Mountain Formation – Early Cretaceous), so the animals all had to be reconstructed based on close relatives and specimens known from strata a few million years older or younger. All in all this illustration represents my largest, most challenging illustration to date.
You can buy a 12″x18″ Print of my illustration here for $25. Price includes shipping within the US. International buyers will be contacted to arrange additional payment through paypal.
In order to reconstruct the panoramic view in my illustration so that it would match the real-life view from where the sign is now placed I had to go to Utah and photograph the site. So I drove out there and camped nearby, and visited the site multiple times a day for 3 days in order to figure out when the best time of day the sunlight was best for viewing the tracks. I found that sunrise was not only the best time to view the tracks, it was goddamn gorgeous and revealed details to me I would’ve never noticed other times of day when the light was higher. So I shot this panorama of the trackway at sunrise, and Rebecca and her husband John Foster (also a Paleontologist) and even their daughter Ruby paced out the best preserved tracks in front of the camera so I could later trace them over my panorama image, which is how I made trackway “field guide” that’s under the main illustration on the sign.
The other reason I was there was to try and make some sense of this intensely complex site and to try to figure out what, of all of it, would be the focus of my illustration. In the process of checking out the site I noticed so many awesome little details that I simply can’t write about it all here, so for now here’s a gallery of some of my favourite tracks:
But even after visiting the site, walking that ancient lakeshore, searching for details which might give a clue as to what was really going on there, I still found myself perplexed. What was this environment? Why were the tracks of a huge diversity of animals exquisitely preserved there, while no recognizeable plant fossils could be found anywhere nearby? What were all the big plant eaters eating? Fortunately renowned Paleontologists Dr. Jim Kirkland and Dr. Ken Carpenter offered me some great input, along with Elizabeth Montgomery, a graduate student working on the geochemistry of the ancient lake, and with their guidance the look of the lake and the surrounding landscape began to take shape. Ken and Jim explained most patiently to me that the tectonic activity in the area hadn’t yet produced any mountain ranges or big rock outcrops that would be visible in the background as they are in modern times, but the tectonics further west did play a role in forming the lake. It appears that the lake was in a foreland basin, which is basically the gradually sloping wash of sediments that forms behind a mountain range that’s being pushed up by tectonic activity.
The lake, it appears, was the lowest point for many miles around, and at around 20 miles in length was likely the largest body of permanent water in the area. The ancient sediments in the area indicate a fairly arid environment, perhaps something like the dry open savannah in modern east-central Africa, which might explain why animals were converging on the shore of the lake. Perhaps most interesting though, is that Elizabeth’s geochemical analysis indicates that the lake was likely semi-saline with a unique alkaline water chemistry that caused it to precipitate dolomite, which is basically dissolved limestone, and that combo of dolomites and clay and algae on the shore of the lake made for a particularly resilient concrete-like mud that baked in the desert sun as the lake’s water level dropped, then became harder than the surrounding stone when it was eventually buried in sand by a big flood. According to Elizabeth’s work, there are only two lakes today with a similar water chemistry to that ancient Dinosaur lake: Lake Changara in the altiplano of Chile, and Bosten Lake in China.
Both of these lakes have something really interesting ecologically going on. Despite being semi-saline, lots of animals visit the part of the lake where fresh water flows into it, because the fresh water pushes a lot of the salt and lime deeper into the lake. The fresh water and rich nutrients mixing also support a profusion of soft water plants and algae, which feed various animals (and which may not fossilize readily). Intriguingly, while tracing the layer of rock that forms the lake shore I got the distinct impression that there may have been an inflow channel just alongside the most concentrated area of dinosaur tracks and crocodile slides…
Could it have been that the animals were converging on the one spot where they could find fresh water and perhaps even some aquatic salad during the dry season? While we may never know every detail of this ancient lake’s ecology and geology, it’s nonetheless awesome to be able to visit a place where you can still see the very specific movements of individual animals that lived and died over a hundred million years before our time, recorded in the landscape before you. I strongly encourage any of you who might happen to visit Moab Utah to check out the Mill Canyon Dinosaur Trackway. I don’t think you’ll be dissapointed by all the work ReBecca and a handful of other paleoartists including Mark Witton and Jeffrey Martz and BLM staff put into the interperetive trail around the site, and if you’re tuned into the landscape and what it’s telling you, I gaurantee you’ll be blown away by some of the things you’ll see recorded in the mud of that ancient lakeshore…
Want to wear some dinosaurs? You can also get my Mill Canyon art on all kinds of printed goods, from t-shirts to leggings, mugs, totes & more on my Redbubble store
Click the Ghost Elk to DOWNLOAD Gather Bones.
On a mobile device? CLICK HERE FOR MOBILE DOWNLOAD/STREAMING
The above download is free, but if you like my music & art and you want to support my upcoming projects you can make a small monthly donation on MY PATREON PAGE. Signing up is easy, it helps make projects like this possible and it gets you access to exclusive content, such as an audio short story that supplements this album (that can’t be found anywhere else)…
Or you can make a one-time paypal donation:
This is my second full length album that I composed and produced myself. Every note in this album is from my heart or lungs, or from those of a close friend of mine.
Lyrics, lead vocals, whistlin’ & production – historian
Fiddle & banjo – Drew McGowan
Flutes – Jackie Liu
Spooky singin’ – Kim Megowan
Ghuzheng – Jiayi Meng
Mastering – Steven Doman
I also owe a big thanks to those of you who supported this project by purchasing the art I created for it way back in December 2013, when I foolishly thought I could finish this album quickly because I had amassed most of the writing, melodies and ideas that would eventually form it. I didn’t realize how long it would take to actually put it all together and make it sound close to the way it did echoing around in my brain. You can see a gallery of that art here, and each of the pieces is based on ideas in the music.
Prints of some of these paintings can be ordered in this post
And T-shirts, hoodies, leggings & more can be bought in my Redbubble shop.
EXPLORE AROUND, THERE ARE A LOT OF CLOTHING OPTIONS FOR EACH ILLUSTRATION.
Here’s a track from it you’ve never heard before:
There’s also this video I put out a long time ago:
I put together a video using B-reel footage from Earth Beasts Awaken pt 1 to put up on
my patreon page, where my supporters can also download the music featured in the video.
I plan on doing a bonus footage video like this using footage from Earth Beasts part 2, but that one will be available only to my Patreon supporters, so subscribe now & don’t miss any of the bonus content & behind the scenes material that I will be putting up on that page. To those of you who have already pledged your support on Patreon, be sure to log in and download the soundtrack to this video, and thanks for the support!!
Despite what I say in the video I’ve been having some technical trouble with paypal’s recurring donation feature so really the best way to make a recurring monthly donation is through my Patreon page:
MY PATREON PAGE
OR, you can make a one time donation on Paypal:
I hope you’ll consider making a small recurring monthly donation to support my work on a monthly basis. Small donations add up, and it is entirely within your power as my audience to determine whether or not I can make my videos and art fully independently, or if I have to submit myself to the existing media structure in order to make a living.