2015 in Review

2015 was a busy year. Here’s some of the stuff I finished during our last rotation around the sun…

Sort of as an experiment in minimalism, I made this music video for a track in collaboration with beatmaker BLAQ MASQ

I also recorded several other verses for musical collaborations, such as this one (the others have yet to be released):

I also designed and animated several minutes of animation for a TV documentary about viking mythology. Here’s a short clip of some of my animation. I plan on assembling all of it as a standalone short as soon as I can find the time:

On the front lines of paleoart, I launched the #buildabetterfaketheropod hashtag along with a pile of art poking fun at the dinosaurs/science of some dinosaur movie that came out this year and was sorta big.

Somewhere around that same time I went out to Moab Utah to photograph and explore the Mill Canyon Dinosaur Trackway, which I then created an illustration of for an interpretive sign commissioned by Utah BLM Paleontologist Rebecca Hunt-Foster.


Later that summer I traveled out to Utah again to participate in my first paleontological field expedition, again with ReBecca Hunt-Foster, her husband John Foster, Sharon McMullen, Mikey Schiltz and Matt Wedel to survey a newly discovered secret site, cluttered with mid mesozoic dinosaur fossils and giant petrified trees! That was awesome. But I can’t say more because it’s all still super secret and I’d be beheaded in sacrifice to our great archosaur overlords if I said any more.

Sometime after I got back from that trip I did these two drawings for an upcoming paper on Apatosaur combat I’m a coauthor on with Matt Wedel, Mike Taylor and Darren Naish.
Apato neck shove matchApato neck smash!

I then finished a mixtape of new raps about fighting you with animals in the jungle called JUNGLECAT TECHNIQUE, and a new self produced album called Gather Bones. If you like my music, I hope you’ll consider supporting it on bandcamp.

wise men

Also at some point I did this reconstruction of an early Cretaceous angiosperm called Frenelopsis for Nathan Jud’s paper re-describing the taxa:

And I also did a bunch of drawings and concept art for Earth Beasts Awaken part 3, and a pile of sketches as rewards for my Patreon supporters, many of which can be seen in the photo galleries over on the historian facebook page
Cavern Glower

And now (like right now) I’m working on another illustrated sign for another Utah BLM dinosaur trackway site commissioned by ReBecca Hunt-Foster. I’m not going to share it right now though, because you have to support me on Patreon to see the behind the scenes stuff that isn’t finished yet, as well as special bonus content videos like this B-reel footage of the Snow Painter creature from Earth Beasts Awaken part 1 that I put together for my new Patreon supporters:

For those of you who have supported my work by buying art, making a donation or just sharing and hyping the hell out of it, thanks for the support!!!

Oh yeah, and I also put a ton of art up on my new Redbubble store, so you can even support my art by rockin’ it in the forms of various interdimensional style armors!!

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Mill Canyon Dinosaur Trackway

As some of you know, I’ve been doing paleo art work in addition to finishing albums and developing the next Earth Beasts Awaken videos, and I’m excited to finally announce my most recently finished paleo project: an illustration of the Mill Canyon Dinosaur Trackway commissioned by Utah BLM Paleontologist Rebecca Hunt-Foster for an interperetive trail sign overlooking the dinosaur trackways near Moab Utah. Here it is on site.

Photo by Rebecca Hunt-Foster

Photo by Rebecca Hunt-Foster

The printed sign you see above is pretty big, 30″x36″ (about a square meter), and the tracks drawn in my illustration had to match the view from where the sign was placed. So the finished illustration had to be really really detailed. In addition to that, the trackway preserves a huge number of footprints from an awesome diversity of animals – at least ten different kinds of footprints and other traces are present – and ReBecca wanted me to depict as many of these animals as possible without making the composition seem to unnaturally crowded, as the animals weren’t likely all there at the same time. Oh, and just to make things extra difficult, basically no good skeletal fossils are known from the same strata as the footprints (the Ruby Ranch member of the Cedar Mountain Formation – Early Cretaceous), so the animals all had to be reconstructed based on close relatives and specimens known from strata a few million years older or younger. All in all this illustration represents my largest, most challenging illustration to date.

Mill Canyon Dinosaur Trackway Paleoscape by Brian Engh

Extravagant Iguanodonts and distant large TheropodEarly NodosaurSauropod and ornithomimids

You can buy a 12″x18″ Print of my illustration here for $25. Price includes shipping within the US. International buyers will be contacted to arrange additional payment through paypal.

In order to reconstruct the panoramic view in my illustration so that it would match the real-life view from where the sign is now placed I had to go to Utah and photograph the site. So I drove out there and camped nearby, and visited the site multiple times a day for 3 days in order to figure out when the best time of day the sunlight was best for viewing the tracks. I found that sunrise was not only the best time to view the tracks, it was goddamn gorgeous and revealed details to me I would’ve never noticed other times of day when the light was higher. So I shot this panorama of the trackway at sunrise, and Rebecca and her husband John Foster (also a Paleontologist) and even their daughter Ruby paced out the best preserved tracks in front of the camera so I could later trace them over my panorama image, which is how I made trackway “field guide” that’s under the main illustration on the sign.

Mill Canyon Dinosaur Trackway Panorama (pre-Boardwalk)

Mill Canyon Dinosaur Trackway Panorama (pre-Boardwalk)

Mill Canyon Dinosaur Trackway Field Guide

Mill Canyon Dinosaur Trackway Field Guide

The other reason I was there was to try and make some sense of this intensely complex site and to try to figure out what, of all of it, would be the focus of my illustration. In the process of checking out the site I noticed so many awesome little details that I simply can’t write about it all here, so for now here’s a gallery of some of my favourite tracks:

ornithopod slipsauropod manus with thumb clawSauropod back foot with ridgesThe big theropodBig theropod overprinted by sauropodTurtle crawlgorgeous ornithomimid tracksFatty Ankylosaur Stomper (pes)

But even after visiting the site, walking that ancient lakeshore, searching for details which might give a clue as to what was really going on there, I still found myself perplexed. What was this environment? Why were the tracks of a huge diversity of animals exquisitely preserved there, while no recognizeable plant fossils could be found anywhere nearby? What were all the big plant eaters eating? Fortunately renowned Paleontologists Dr. Jim Kirkland and Dr. Ken Carpenter offered me some great input, along with Elizabeth Montgomery, a graduate student working on the geochemistry of the ancient lake, and with their guidance the look of the lake and the surrounding landscape began to take shape. Ken and Jim explained most patiently to me that the tectonic activity in the area hadn’t yet produced any mountain ranges or big rock outcrops that would be visible in the background as they are in modern times, but the tectonics further west did play a role in forming the lake. It appears that the lake was in a foreland basin, which is basically the gradually sloping wash of sediments that forms behind a mountain range that’s being pushed up by tectonic activity.


The lake, it appears, was the lowest point for many miles around, and at around 20 miles in length was likely the largest body of permanent water in the area. The ancient sediments in the area indicate a fairly arid environment, perhaps something like the dry open savannah in modern east-central Africa, which might explain why animals were converging on the shore of the lake. Perhaps most interesting though, is that Elizabeth’s geochemical analysis indicates that the lake was likely semi-saline with a unique alkaline water chemistry that caused it to precipitate dolomite, which is basically dissolved limestone, and that combo of dolomites and clay and algae on the shore of the lake made for a particularly resilient concrete-like mud that baked in the desert sun as the lake’s water level dropped, then became harder than the surrounding stone when it was eventually buried in sand by a big flood. According to Elizabeth’s work, there are only two lakes today with a similar water chemistry to that ancient Dinosaur lake: Lake Changara in the altiplano of Chile, and Bosten Lake in China.

Llamas grazing near the inflow to Changara Lake in Chile - Wikipedia commons

Llamas grazing near the inflow to Changara Lake in Chile – Wikipedia commons

Both of these lakes have something really interesting ecologically going on. Despite being semi-saline, lots of animals visit the part of the lake where fresh water flows into it, because the fresh water pushes a lot of the salt and lime deeper into the lake. The fresh water and rich nutrients mixing also support a profusion of soft water plants and algae, which feed various animals (and which may not fossilize readily). Intriguingly, while tracing the layer of rock that forms the lake shore I got the distinct impression that there may have been an inflow channel just alongside the most concentrated area of dinosaur tracks and crocodile slides…

Water lillies (early cretaceous!) and reeds (post mesozoic) near the inflow of Bosten Lake, China

Water lillies (early cretaceous!) and reeds (post mesozoic) near the inflow of Bosten Lake, China

Could it have been that the animals were converging on the one spot where they could find fresh water and perhaps even some aquatic salad during the dry season? While we may never know every detail of this ancient lake’s ecology and geology, it’s nonetheless awesome to be able to visit a place where you can still see the very specific movements of individual animals that lived and died over a hundred million years before our time, recorded in the landscape before you. I strongly encourage any of you who might happen to visit Moab Utah to check out the Mill Canyon Dinosaur Trackway. I don’t think you’ll be dissapointed by all the work ReBecca and a handful of other paleoartists including Mark Witton and Jeffrey Martz and BLM staff put into the interperetive trail around the site, and if you’re tuned into the landscape and what it’s telling you, I gaurantee you’ll be blown away by some of the things you’ll see recorded in the mud of that ancient lakeshore…

Big pencil drawing wiht iguanodon thumbs up for scale

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Gather Bones

Click the Ghost Elk to DOWNLOAD Gather Bones.

Download Gather Bones


The above download is free, but if you like my music & art and you want to support my upcoming projects you can make a small monthly donation on MY PATREON PAGE. Signing up is easy, it helps make projects like this possible and it gets you access to exclusive content, such as an audio short story that supplements this album (that can’t be found anywhere else)…

Or you can make a one-time paypal donation:

This is my second full length album that I composed and produced myself. Every note in this album is from my heart or lungs, or from those of a close friend of mine.

Album Credits:
Lyrics, lead vocals, whistlin’ & production – historian
Fiddle & banjo – Drew McGowan
Flutes – Jackie Liu
Spooky singin’ – Kim Megowan
Ghuzheng – Jiayi Meng
Mastering – Steven Doman

I also owe a big thanks to those of you who supported this project by purchasing the art I created for it way back in December 2013, when I foolishly thought I could finish this album quickly because I had amassed most of the writing, melodies and ideas that would eventually form it. I didn’t realize how long it would take to actually put it all together and make it sound close to the way it did echoing around in my brain. You can see a gallery of that art here, and each of the pieces is based on ideas in the music.

H with bones

Leviathanswise menyour king is comingomen bringersthe prospectorat the old chinese opera&saint francisdark desert nightchurch spiresghost elkfour horsementhe offering

Prints of these paintings can be requested only by my patreon supporters.

And T-shirts, hoodies, leggings & more can be bought in my Redbubble shop.

Download Gather Bones

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Gather Bones comes out Nov. 10, 2015.

Here’s a track from it you’ve never heard before:

There’s also this video I put out a long time ago:

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Earth Beasts Awaken – Additional Sightings: Snow Painter

I put together a video using B-reel footage from Earth Beasts Awaken pt 1 to put up on
my patreon page, where my supporters can also download the music featured in the video.

I plan on doing a bonus footage video like this using footage from Earth Beasts part 2, but that one will be available only to my Patreon supporters, so subscribe now & don’t miss any of the bonus content & behind the scenes material that I will be putting up on that page. To those of you who have already pledged your support on Patreon, be sure to log in and download the soundtrack to this video, and thanks for the support!!

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Despite what I say in the video I’ve been having some technical trouble with paypal’s recurring donation feature so really the best way to make a recurring monthly donation is through my Patreon page:

OR, you can make a one time donation on Paypal:

I hope you’ll consider making a small recurring monthly donation to support my work on a monthly basis. Small donations add up, and it is entirely within your power as my audience to determine whether or not I can make my videos and art fully independently, or if I have to submit myself to the existing media structure in order to make a living.

Frame from footage shot for an upcoming Earth Beasts Awaken Video

Frame from footage shot for an upcoming Earth Beasts Awaken Video

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Want some battling Apatosaurs on your wall?

I don’t have time at the moment to do a full blog post on the science and art that went into these illustrations, but if you check out the recent posts by Mike Taylor on SVPOW you’ll get a pretty good overview of the the ideas that we’ve been working on. That said, I’m about to order a big batch of posters of some of my recent art, so I just wanted to put up a post where you can order a copy of either of these pencil drawings:

Apato neck shove match
Order a n 12″x17″ (30.48cm x 43.18cm) print of Apato Shove Match! (above image) for $15 here:

Apato neck smash!
Order an 11″x17″ (27.94 x 43.18cm) print of Apato Neck SMASH! (above image) for $15 here:

Shipping is free within the US. If you’re outside of the US I’ll send you a paypal payment request for the exact cost of shipping along with a customs/tracking number.

Thanks for checking out my art!!

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Click the JUNGLECAT to DOWNLOAD the mixtape

If you like my music & you want to support my upcoming projects consider making a monthly donation on MY PATREON PAGE (gets you access to exclusive content!)

Or by making a one-time paypal donation:

I’ve been working on this mixtape as a side project to sharpen my skills in preparation for my upcoming album Gather Bones, and I’ve decided it’s time to put it out. I hope you enjoy my kung fu.

The mixtape is free to download, but if you want to support me as an artist you can make a donation (above) or buy a copy of the JUNGLECAT TECHNIQUE poster:



Posters are $15 each, free shipping in the US and measure 12″x14″

Big shoutouts and respect to all the beat makers whose beats are featured on this mixtape, and also to all the various musicians, film makers and martial artists whose sounds were sampled to create the whole JUNGLECAT world.

Here are some links to some of the beat maker’s other work.
BLAQ MASQ on Youtube
Buddah Killah on Soundcloud
DR. X on Soundcloud
Mujo Beatz on Bandcamp
Backshot Entertainment on BandMine
Free Download of a beat tape entitled MOGGY

And here’s a video of two blind Vietnamese street performers I sampled for the track “Hyenas” (they jam):

Also big props to my girl, Ms. Jessica Jordan, who shot the photo I used for the album art.

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#BuildaBetterFakeTheropod …WITH SCIENCE!

If you’ve been following me on twitter you’ll no doubt have found your feed infested with bizarre fictitious dinosaurs with the hashtag #BuildABetterFakeTheropod. The idea behind the hashtag was to try and come up with better, more scientifically inspired fake dinosaur designs than Jurassic World’s dated, unrealistic looking gray behemoth “Indominus rex.” Turns out, coming up with something more interesting and more science based isn’t very hard, because paleontologists have already done a ton of hard work over the last 20 years discovering and describing and educating the public about a diverse menagerie strange and wonderful lifeforms all of which suggests a world of speculative biology ripe for movie-monster exploitation. Over the course of the last few weeks I’ve posted a bunch of illustrations to my twitter and I thought I ought to explain some of the science that inspired a few of them in more than 140 characters.

“Cryptonychus arborealis” a semi arboreal Dromeosaur (“raptor”) from a tropical rain forest environment:


It’s apparently pretty hard to become a fossil. While some environments lend themselves to making fossils more than others, many environments aren’t so good at it, and some are really really bad at it. Tropical rainforests are one of those environments that can be really really bad at making fossils. Constant heat and humidity encourage an abundance of decomposers, and a thick mass of vegetation binds up all the available soil, so things rarely get buried in the mineral rich mud, sand or clay that help preserve remains. What that means is that there are vast swathes of some of the most bio-diverse ancient ecologies that we will never know anything about… That means LOTS of dinosaurs that just rotted and were forgotten. Forever. Now that doesn’t mean we can’t speculate about what might’ve been living in such environments, as many things from environments that were good at making fossils likely had relatives in environments that were not so good at making fossils (as many living things do today).

So, think of humans, or cheetahs. Both are widespread predators (well, cheetahs used to be widespread – once ranging throughout southern Europe, India & the Middle East) who evolved to hunt by chasing things down in an open Savannah environment. But both humans and cheetahs aren’t the only hunting primates or big cats around. We live at the same time as animals that share a common ancestor with us. In the tropical jungles of Africa there are both leopards and chimpanzees, both of which hunt in trees. Now, when I consider that the Velociraptor and Utahraptor that we know about hunted in open floodplains & semiarid woodland environments (good at makin fossils), and they share ancestry with smaller “raptor” dinos that appear to be arboreal (tree climbing) forms (some of which were likely gliders or fliers), I gotta wonder: were their weird big jungle raptors that hunted in way up trees?? My “Cryptonychus” (meaning “hidden claw”) is an attempt to come up with something like that. As it’s name (and hopefully the art) implies, it is a large ambush hunter, with a shaggy coat of feathers to camouflage it amongst the mossy vines an branches as it creeps slowly through the trees until if finds a perch near a game trail or nest. Then it waits… Silent. Motionless. Until the prey comes just… close… enough!

Giant Heron-like Ornithomimid

Ornithomimids are the group of Dinosaurs that looked sorta like ostriches but weren’t. The group includes Gallimimus, which was included (albeit featherless) in the first Jurassic Park movie and (even less accurately) in the new movie. Deinocheirus was a weird giant member of this group, and the recent discovery of more of its skeleton shows us that the ornithomimids could get BIG (like around T-rex big) and weird (it had a goddamn hump or sail or something)!

Deinocheirus figure from Natrure

One of the features that made it weird was that, unlike the rest of the (known) ornithomimids, Deinocheirus has a peculiar spoon shaped bill, likely for cropping plant matter or sifting nutritious crud out of the water like ducks do. The rest of the group has more pointed beaks, similar to that of modern generalist feeders like chickens and ostriches and the like. So, if this lineage of dinosaurs evolved a range of bills from sorta-pointy, to really-spoony, why not extra-pointy? It is not uncommon in evolutionary history to see groups of generalist feeders give rise to species or whole groups more specialized for feeding a certain way, which seems to be what Deinocheirus was doing. Perhaps somewhere, lurking in the depths of time, still waiting to be discovered or missed by fossilization completely, there were Ornithomimids adapted to spear and gulp down smaller animals as modern herons do… Oh, and by the way, herons are pretty closely related to spoonbills (they’re both Pelicaniformes).

Early Jurassic “Sinosaur-Line” Theropods


There is a big hole in the fossil record between the smaller late Triassic ceolophysoid theropods and the big giants (Like Allosaurus and Ceratosaurus) that appear in the fossil record in the middle Jurassic. The medium to large sized early Jurassic theropods that have been found (such as Dilophosaurus and Sinosaurus) are rare and many are highly fragmentary, yet they seem to indicate some interesting things were going on. Many of them have strange crests on their heads, and their overall body plan appears to be transitioning from a long and low body plan, to one with more robust legs, arms, heads and necks, likely for taking down larger prey. The creatures in the above drawing are my attempt to visualize a powerful-yet-speedy intermediate form, with ample strength to dispatch human-sized prey, but long powerful legs to chase down even off road vehicles. I, for one, would love to see a chase scene where a pair (or more!) of hungry theropods easily keep pace with a speeding off-road vehicle and the human prey within has to avoid being pulled from a broken window or opened top as the vehicle bounces and lurches in its struggle to navigate the rugged terrain, effortlessly handled by the ancient hunters.

If you like this kind of speculative monster design stuff let me know, & I hope you’ll share it aroundI. If people like it I’ll do another post on a few of my other #buildabetterfaketheropod designs.

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If you’re gonna make up a dinosaur (or other prehistoric creature) for what is ostensibly a science-fiction movie, it should be spectacular visually, frighteningly foreign yet believable in it’s character and behavior, and it should be based at least loosely on the mountain of surprising and fascinating knowledge about dinosaur anatomy and behavior that scientists and artists around the world have worked tirelessly to discover and communicate over the last several decades. In light of a new Jurassic Park movie coming out that apparently disregards all of that study and discovery, (even with regards to the not-made-up dinosaurs it features) I started drawing made-up dinosaurs that I think would be cool to see in a movie and I’ve been posting them to my twitter feed with the hashtag #BuildABetterFakeTheropod. I’ve decided that for the next week I’m gonna put a new one up every day, in the hopes that people will be intrigued about actual dinosaur science in the process. At the end of the week I’ll throw up a full gallery with all of them.

To start us off, here’s a speculative long-horned relative of the Abelisaur Majungasaurus, dripping with blood from a recent battle, possibly with a rival male. His neck is a swollen mass of fat and connective tissue meant to protect him from the bites, thrusts and slashes of his opponents…

Longhorn Abelisaur

While that horn on it’s head might look a bit ridiculous, it’s only an exaggeration of a feature known from a real Theropod dinosaur, Majungasaurus. Check out the horn-like knob at the top of it’s skull, and bear in mind that the rough knobby bone tissue indicates that there was soft tissue (possibly horn) anchored firmly to it. Also, the particularly robust skull bones are typical of animals whose heads take a lot of impact, which has lead Paleontologists to speculate that Majungasuaurus, and other Abelisaurs such as Carnotaurus may have bashed their heads into things.

Witmer Lab Majungasaurus

Given that spectacular head crests are know from other theropod dinosaurs, it seems reasonable to speculate that long-horned forms may have existed, or that the horn tissue that rotted away greatly enlarged what we see in the bone. Also such features easily result from simple genetic modification by humans (such as selective breeding as in the case domestic livestock). Most importantly, IT WOULD BE AWESOME TO WATCH THEM BATTLE EACH OTHER, or other dinosaurs, or threaten humans with their territorial behavior in a well directed feature film (all of which would be completely in line with modern dinosaur science).

Or if you prefer completely made up mythological prehistoric monsters, only aesthetically inspired by actual paleontology, then there’s this:

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